Thank you!
Your support is sustaining the future of local news in our communities.

Karina Powers and the power of tradition

Karina Powers and the power of tradition

Karina Powers teaches traditional dances from Mexico in Millbrook.

Lucia Iandolo
This is an art and the arts unite nations.
—Karina Powers

Karina Powers began dancing at 4 years old. A professional dancer, singer, performer and Mexican folklore dance professor from Baja California, Mexico, she is the youngest of three sisters who were all involved in the arts. Powers now teaches traditional Mexican dances to adults through her company, Compañía De Danza Folklórica Regional Mexicana, in Millbrook. She said she has a strong passion for the history and art that exist within the dances she teaches, and she hopes to instill that passion in her students.

“Many of them have never danced this type of dance,” said Powers. “They’re from Mexico, but they came to the United States at a young age to work. They have that dream to learn, and now they have this opportunity.”

Powers received a master’s degree in Mexican folklore dance from Escuela de la Danza in Baja California, Mexico. Since moving to the United States, she has built a career in performance and teaching. She has not only served as a dance director and performed as a professional vernacular music singer in California, but she has also worked towards her Doctorate, which she will receive in October.

As the founder of her company, Powers works tirelessly to make sure her dancers have everything they need, including costumes, proper flooring, music and a space to practice. Her husband built wooden panels, called tarimas, for students to dance on with their folklórico shoes. Millbrook Mayor Peter F. Doro allows Powers and her group to practice in Millbrook Hall, where she brings the tarimas to every practice along with costumes and proper footwear.

Powers dreams of owning her own studio where she can practice with her group, offer more classes, store costumes and create a space for her dancers to do their hair and makeup before performances. She said she hopes people learn about her classes so her company can grow and she can teach dances from a wider range of Mexican states while having greater access to traditional dress.

As a single mother and professor, Powers’ mother, Carmen Méndez, put her children in dance classes and signed them up for track and field, always keeping them goal- and career-oriented. She helped Powers with her company by creating all of the costumes her dancers wear in their performances. After her mother’s death in 2021, Powers said she has dedicated herself to carrying forward the passion, work ethic and love of dance her mother instilled in her.

“I miss her terribly, and I’m here because of her,” Powers said. “That’s why I want to do this, because of her. She gave me a lot, with the costumes, with her support. I do it for my mom.”

Karina Powers and her students practice in Millbrook Hall.Lucia Iandolo

Dancers in Powers’ group are dedicated to learning the art of dance from different states in Mexico on Tuesday and Friday nights at Millbrook Hall. They travel from many different places in New York to participate, with some dancers traveling more than an hour to make it to rehearsal each week.

“It’s a lot of work, but they learn it. I believe they love it, and it’s a way to come together, to do something good, to do something healthy, and to have people around you who appreciate this kind of art,“ Powers said.

Powers has studied with professor Eloy Jiménez Figueroa since childhood and said his mentorship inspired her to become the teacher she is today. She added that while she may not be the best teacher, she learned from the best.

While living in California, Powers taught elementary, high school and college students, as well as adults. She was recruited to teach traditional Mexican folkloric dance because of the region’s large Mexican community. Today, she encourages people of all backgrounds to explore the rich traditions of Mexican dance.

“This type of dance is not only for people from Mexico,” Powers said. “This is an art and the arts unite nations.”

Powers hopes to continue sharing that art in Millbrook and one day teach in the Millbrook Central School District. Powers and her group will perform at the Millbrook Library on Nov. 21, presenting traditional Mexican dances and inviting audience members to participate.

As a professor, dancer and singer, Powers stays grounded by believing in something greater than herself. She says that praying and putting herself in the hands of God has helped anchor her. She hopes to teach and dance for as long as her body allows.

“My mom, for me, is an angel. I put myself in her hands, and I have faith,” Powers said. “I have faith that God, or something good, is going to be there for the group and for myself.”

Latest News

Wassaic Project co-founder Eve Biddle presents her “Field Notes”

Artist Eve Biddle and Tremaine Gallery Director Terri Moore.

D.H. Callahan

On Wednesday, Sept. 2, the Tremaine Gallery at the Hotchkiss School in Lakeville opened its new show, “Field Notes,” with works by multidisciplinary artist Eve Biddle.

Biddle is best known in the area as one of the founders of the iconic Wassaic Project in the hamlet of Wassaic, New York. The project, which is part art incubator, part gallery, part studio and a whole lot of community, is housed in an old converted grain elevator right next to the Metro North train tracks. It’s credited by many as the spark that revitalized the hamlet, which now boasts a craft bakery, a curated wine and liquor store, a pizza hot spot, the Lantern.

Keep ReadingShow less

Fear and Loathing in the Woodland

Fear and Loathing in the Woodland

Fear and Loathing in the Woodland Japanese barberry, an invasive shrub with thorny branches, provides shelter for mice and can contribute to conditions that allow tick populations to thrive.

Provided

I am tempting tick-bite fate by writing this, even from the safety of my office.

Eight people emailed me with a link to the New York Times article on ticks that ran in the Aug. 20 magazine section.My Instagram algorithm made sure that I saw the same story several times over.The article, “The Summer the Ticks Took Over,” by Benjamin Wallace reads like a horror story, engendering a kind of paranoia that sidewalk-hugging New Yorkers can easily fall prey to.The reader comments enhance the author’s terror and fall into key categories: readers who are living proof of the sometimes harrowing, life-altering consequences of a tick bite; readers’ instructive life hacks against ticks (“permethrin is your friend”); readers’ collective chant to kill the deer; and, finally, readers who question why anyone would ever go in the woods again.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Glass artists at Cornwall Open Studios

Jessica Landau creates jewelry from glass. She welcomed visitors to her studio during the Cornwall Open Studio tour on Sept. 5.

Ruth Epstein

David Willis and Jessica Landau were brought together by glass.

They each focus on using the medium for different types of art; he paints and sculpts, while she primarily creates jewelry and glassware.

Keep ReadingShow less
Oldtone brings roots music, dancing and community to Cool Whisper Farm

The Allum Ridge Boys & Ashlee at Oldtone Music Festival in 2025

Jim Wright

The Oldtone Music Festival returns Sept. 10 through 13, bringing musicians and audiences together for a four-day celebration of roots music at Cool Whisper Farm in Hillsdale.

Founded in 2015 as a one-day show in Wassaic, Oldtone moved the following year to the Schober family’s Cool Whisper Farm, where it grew into a three-stage camping festival. The festival ran annually until the COVID-19 pandemic forced its cancellation in 2020. After limited attempts to bring it back in 2021 and 2022, organizers announced in early 2023 that the festival would end.

Keep ReadingShow less
“Come From Away,” a story of kindness at Sharon Playhouse
“Come From Away” cast in rehearsal. (Back Row L to R): Jeffrey Konowitch, Meagan Lewis-Michelson, Max Bennett-Parker, Michael F. McGuirk, Tracy Liz Miller, Ricky Oliver, Cherish Love, Willie Marte (Front Row L to R) Cameron Sirian, Chelsie Nectow, Erin Lindsay Krom, Sophie Nassiri
Lynette Shy

Twenty-five years after the events of Sept. 11, 2001, the Sharon Playhouse is staging a musical about what happened in the aftermath — and about an extraordinary act of kindness in a small Newfoundland town.

“Come From Away,” the Tony Award-winning musical by Irene Sankoff and David Hein, runs Sept. 11 through 27 and concludes the Playhouse’s 2026 MainStage season. Directed by Hunter Foster, with choreography by Krystyna Resavy and music direction by Eric Thomas Johnson, the production tells the true story of the thousands of airline passengers who suddenly found themselves stranded in Gander, Newfoundland, after U.S. airspace was closed following the terrorist attacks.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.