David Jon Greenwood


MILLBROOK — David Jon Greenwood passed away Dec. 23, 2024 at home in Millbrook New York. He was born July 9, 1944 in Putnam County, New York, and grew up in Carmel, the youngest of three boys. On his father’s side, he was a descendant of Thomas Greenwood, who emigrated from England in 1665. He and his fiancée Nan returned to the ancestral home of the Greenwoods in Heptonstall, Yorkshire in 1974 to be married there, and returned several times, most recently this past summer with family to celebrate their 50th anniversary.
On his mother’s side, his ancestry was Native American, indigenous to the Mid-Hudson Valley. His grandmother’s mother was Wappinger, and he grew up hearing family recollections of the Wixon and Smalley families in Putnam County, including reminiscences of Native American traditions, hunting and trapping, long houses, relatives fighting in the Civil War, and the Blizzard of ‘88.
Mr. Greenwood pursued a lifelong interest in the visual and performing arts. His major field was art history with a specialization in American architecture and decorative arts. He earned his bachelor’s degree in art education at the State University of New York (SUNY) at Buffalo, which included a semester abroad studying art history in Siena, Italy. His master’s degree and supervisory accreditation were earned at SUNY New Paltz, which in 1982 named him an outstanding alumnus.
Mr. Greenwood combined his love of history and his love of art by becoming a teacher of art and advanced placement art history, joining the Carmel Central School District in Putnam County in 1967. In 1974 he was named district supervisor of art with responsibility for the entire arts program K-12, a position he held until retiring from Carmel in 2004. He then taught Art History and Aesthetics part time for another seven years at the Millbrook School. He specialized in pen and ink renderings and his work is included in several collections and books.
He was an officer of the Putnam County Arts Council and assisted in the selection, mounting and judging of numerous shows and exhibits. In addition to work with the Putnam and Dutchess County Arts Councils, he served on an arts review panel for the Metropolitan Transportation Authority’s Art in Public Places project.
Mr. Greenwood gave presentations throughout the region on a variety of topics, and was well known for his extensive work with local history, including re-enactments of important historic figures associated with the Abolitionist movement in the Hudson Valley.
David served on the boards of both Putnam and Dutchess counties’ landmarks preservation societies and for many years as an overseer of Old Sturbridge Village, a Massachusetts living history museum. He was the historian for the Village of Millbrook and Town of Washington and parish historian for St. Peter’s Episcopal Church in Lithgow, and served on the Dutchess County Historical Society. He was also an ex officio member of the Millbrook Historical Society and until recently chaired the Town of Washington’s Conservation Advisory Commission. Among his proudest achievements were contributing to the Museum in the Streets public history project in Millbrook, and coordinating an annual historic calendar project for 28 years, celebrating the people, places and events throughout the community’s history. It was in recognition of the calendar project that in 2022 the Association for Public Historians of New York State and the New York State Museum awarded him the Edmund J. Winslow Local Government Historian Award of Excellence.
David was also an active member of Millbrook Rotary and he and Nan served for 15 years as Inbound co-chairs on the Youth Exchange Committee for the 8-county Rotary District 7210 where they were responsible for selecting, placing and overseeing the experiences of international students who spent an academic year attending local high schools and living with local families.
Attending Rotary conventions took them around the world to Europe, Asia, Australia and South America, as well as the US, Canada and Mexico.
In Millbrook the Greenwoods lived in one of the oldest houses in the village, built originally by Philip Hart circa 1800. There David was surrounded by the antiques, art, books, and historic maps and memorabilia that meant so much to him.
In May 2024 at the Millbrook Historical Society’s monthly meeting, he was honored by the society and by the Village of Millbrook and Town of Washington for his decades of service as local historian, and was presented with a plaque and a proclamation that May 16, 2024 was designated David Greenwood Day in the Town of Washington.
David was predeceased by his parents and brothers. He is survived by his wife Nan and sons Calder and Wixon (Sibyl) and grandson Augustus, nephews Shawn and Harold and niece Lisle.
David was a staunch believer in supporting the local community; accordingly, gifts in his memory would be appreciated at the Millbrook Historical Society, Millbrook Community Partnership, Dutchess Land Conservancy, Cary Institute of Ecosystem Studies, Millbrook Rotary Foundation, ShelterBox or a charity of your choosing.
A memorial service will be scheduled at a future date.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org