Crescendo launches 22nd season

Crescendo launches 22nd season

Christine Gevert, artistic director of Crescendo

Steve Potter

Christine Gevert, Crescendo’s artistic director, is delighted to announce the start of this musical organization’s 22nd year of operation. The group’s first concert of the season will feature Latin American early chamber music, performed Oct. 18 and 19, on indigenous Andean instruments as well as the virginal, flute, viola and percussion. Gevert will perform at the keyboard, joined by Chilean musicians Gonzalo Cortes and Carlos Boltes on wind and stringed instruments.

This concert, the first in a series of nine, will be held on Oct. 18 at Saint James Place in Great Barrington, and Oct. 19 at Trinity Church in Lakeville.

For those unfamiliar with Crescendo, the award-winning organization was founded in 2003 and brings lesser-known works from the Renaissance and Baroque periods — along with contemporary fusion pieces — to new life. Its performances often blend classical composition with nontraditional instrumentation for a refreshing new take on an established body of work.

Gevert, who is German, Chilean and American, is a conductor, keyboardist and musical scholar. As the multi-national, multi-lingual (German, Spanish and English) creative director, she is a veritable whirlwind of talent, professionalism and inspiration who conceives of new musical treats for her audiences. She also hires and nourishes local talent, sources internationally known vocal and instrumental professionals, and provides her audiences with well-researched program notes for each concert, packaged in lush, full-color programs that resemble illuminated manuscripts.

“It is the excitement about and dedication to the music, along with the prerequisite vocal and instrumental talent, that characterizes a Crescendo member,” said Gevert. “I don’t care about things like how old or young you are or where you’re from — it’s all about bringing these performers together to provide unforgettable musical experiences for its audiences.”

“Traditional audiences for classical music performances tend to skew older,” Gevert continued. “For that reason, I’ve embarked on an effort to reach younger listeners, and have done things like taken a Crescendo choral group to perform at Housatonic Regional High School. I’ve also launched an effort to recruit and train young singers in Baroque singing techniques so they can perform with our existing choral group.”

The upcoming 2025-26 season includes, among other performances, a solo recital and benefit concert on Nov. 22 by the international Baroque opera star and countertenor Nicholas Tamagna. The curated program will include works by Handel, Vivaldi, and Monteverdi.

Two dazzling Christmas concerts follow: on Dec. 6 and 7, Crescendo presents J.S. Bach’s “Sweet Comfort” cantata and Mass in G minor, featuring the full chorus and soloists with a period instrument orchestra. On Dec. 21, the annual Holiday Concert will be presented: “A Tapestry of Traditions: Unraveling the History of Christmas Carols,” with the entire Crescendo vocal ensemble and Gevert on organ.

For the full schedule, concerts details and ticket information, visit: www.crescendomusic.org

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