Cornwall celebrates at holiday Rec party

Santa’s helpers save a large present as the Grinch attempts to steal Christmas during the Cornwall Parks and Recreation Holiday Event on Friday, Dec. 9. Photo by Riley Klein

CORNWALL — Try as he might, the Grinch was unable to steal Christmas this year thanks to the heroic efforts of Santa and some very helpful children.
The children certainly earned their spot on the Nice List for saving the presents during the Parks and Recreation Holiday Event at Cornwall Consolidated School on Friday, Dec. 9.
“My helpers pulled it off!” exclaimed a relieved Santa. “What a good job.”
The event doubled as a fundraiser for the 8th grade class trip to Boston. A five dollar donation bought access to the pasta dinner and a silent auction, which featured holiday gift baskets and locally sourced products.
Hot chocolate with marshmallows and all the fixings was available to holiday revelers while they took part in games and activities arranged for the party.
Eighth graders channeled their inner elf as they assisted in the creation holiday crafts such as handmade ornaments, custom cookies and candy-cane reindeer.
Parks and Recreation Director Jen Markow said the holiday event provided a good opportunity to partner up with the school and raise money for the upcoming class trip.
“Go big or go home,” said Markow.
Aly Morrissey
Heavy stone garden ornaments, a specialty of Judy Milne Antiques from Kingston, at Trade Secrets 2025.
Tucked away on Porter Street in downtown Lakeville, Project SAGE is an unassuming building from a street view. But cross the threshold a week before Trade Secrets — one of the region’s biggest gardening events, long associated with Martha Stewart and glamorous plants of all varieties — and you’ll find a bustling world of employees and volunteers getting ready for the organization’s most important event of the year.
“It’s not usually like this,’ laughed Project SAGE director Kristen van Ginhoven. “But with Trade Secrets just around the corner, it’s definitely like this.”
Van Ginhoven points to towers of boxes containing event programs, various ribbons, elegant decor and stacks of magazines, all in preparation for the event.
Project SAGE will celebrate its 26th year hosting Trade Secrets, but it’s so much more than a garden event.
“It’s a fundraiser for domestic violence prevention and intervention,” van Ginhoven said. “Anybody who attends knows they’re supporting a really meaningful and important cause.”
The fundraiser accounts for at least 30 percent of the organization’s overall budget, she said, and attracts around 3,000 people from across the region each year, creating an unmatched opportunity for Project SAGE to share its mission and generate support.
The event, though expensive to produce, generates enough income to significantly support Project SAGE’s direct services and prevention services.
Officials said a wave of new underwriters have emerged this year.
“We’re very grateful, because we live in a time when funding is uncertain,” van Ginhoven said.
Hundreds of copies of the annual Trade Secrets guide sat at Project SAGE headquarters, ready for distribution at the event. The book doubles as a domestic violence resource, complete with warning signs, myth-busting information and scripts for difficult conversations.
Volunteers will be present throughout the event to connect with community members. Each volunteer must be certified as a domestic violence counselor in order to work with Project SAGE.
“It means they can help us drive clients, move clients, take them to appointments or the grocery store,” van Ginhoven said.
Project SAGE officials said education about domestic violence should start early. The organization has developed a comprehensive curriculum spanning early childhood through grade 12 and visits schools throughout the region. The class of 2026 will be the first graduating class at Housatonic Valley Regional High School to have received all four years of training from Project SAGE.

The organization’s partnerships extend throughout the region and include on-site training in schools and nonprofit organizations, including the Sharon Playhouse. Community support also goes directly to Project SAGE, including a recently donated array of colorful gift bags bearing positing affirmations and filled with toiletries and basic necessities from students at the Frederick Gunn School in Washington, Connecticut.
The people who visit Project SAGE have often left uncomfortable or dangerous situations and leave without any belongings.
“Some of them have nothing,” van Ginhoven said. “They just show up because they had the courage to leave.”
Project SAGE staff say many referrals come through local hospitals, police and sister agencies.
The organization serves people in Connecticut, Massachusetts and New York.
With the stress of event planning mounting, van Ginhoven spent a “previous life” preparing for this exact moment. She spent 30 working at the intersection of arts and activism, having co-founded WAM Theatre, a Lenox-based organization focused on stories and issues affecting those who self-identify as women and girls. During her tenure, WAM donated $100,000 to 25 local and global organizations working toward gender equity in areas such as girls’ education, teen pregnancy prevention, gender-based violence, sexual trafficking awareness and midwife training.
“I love the adrenaline of putting on a show,” van Ginhoven said with a laugh. With the help of volunteers and organizers, she said she isn’t bothered by the stress.
“The show will go on,” she said.
Natalia Zukerman
Nate King, “When I Was Younger And Now That I’m Older,” 2026, Digital projection, digital animation, photography.
The Wassaic Project, the 8,000-square-foot, seven-story former grain elevator transformed into a vibrant arts space, opens its 2026 Summer Exhibition, “Because, now is the time of monsters,” on Saturday, May 16, from 3-6 p.m. at Maxon Mills, launching a season-long presentation featuring 39 artists working across installation, performance, video and sculpture.
The opening celebration will include an afternoon of exhibitions and live programming throughout the historic mill building and its surrounding spaces. Gallery and Art Nest hours run from 12-6 p.m., with special presentations scheduled throughout the day.
Highlights include “Life’s a Game, Boy,” an end-of-year exhibition by the Wassaic Project’s JV and varsity art clubs (4-6 p.m.), showcasing work by students in grades 5-12 from across the region. At 4:30 p.m., artist Ace Lehner presents “Barbershop: The Art of Queer Failure,” a participatory performance and installation that reimagines the barbershop as a space for queer world-making through improvised haircuts and collaborative exchange. Haircuts will be given on a first-come, first-served basis.
In the evening, artist Nate King will present “When I Was Younger and Now That I’m Older” (8-10 p.m.), a projection work that transforms the facade of Maxon Mills into a shifting visual field of memory, geometry and childhood imagery, reflecting on time, age and perception.
The exhibition, organized by the Wassaic Project, will be on view through Sept. 12 and brings together a wide range of contemporary artists working in and around the Hudson Valley region. More information is available at wassaicproject.org.

Want more of our stories on Google? Click here to make us a Preferred Source.
Natalia Zukerman
The Hotchkiss School will launch a major new addition to its arts programming with the inaugural Hotchkiss International Piano Competition, a three-day event taking place May 15–17 in Katherine M. Elfers Hall.
The competition will bring together young pianists ages 10 to 18 from around the world, with participants representing the United States, Thailand, Korea, China, Canada, and Azerbaijan. Performers will compete across multiple age divisions, culminating in final rounds that will be open to the public, offering audiences the opportunity to hear a wide range of emerging international talent in performance.
The jury features an internationally recognized panel of performers and educators, including Artistic Directors Fabio Witkowski and Gisele Nacif Witkowski of The Hotchkiss School, alongside Gloria Chien, Olga Kern, Leonel Morales, and Álvaro Teixeira Lopes. Together, the panel brings broad global experience as performers, pedagogues, and competition jurors, and will evaluate contestants over the course of the event.
Organizers describe the competition as both a rigorous artistic platform and an opportunity for cultural exchange, emphasizing performance under professional conditions and the development of young artists at a formative stage in their careers. Winners will receive a total of $25,000 in prize awards, along with opportunities for broader recognition and future performance engagement.
The competition is made possible through founding support from the Yang and Hamabata families. Murong Yang (Class of 2008), whose experience at Hotchkiss shaped her early connection to music and the arts, and her husband Corey Hamabata envisioned a program that combines artistic rigor with personal growth and international exchange. Their support establishes the competition as part of a longer-term commitment to nurturing emerging musical talent.
“This competition offers a platform for extraordinary young artists to challenge themselves, share their artistry, and connect with a global community of musicians,” said Fabio Witkowski, Artistic Director.
The final rounds of the competition will be open to the public, inviting audiences to experience live performances from some of the most promising young pianists on the international stage.
More information is available at hotchkiss.org/piano-competition.
Natalia Zukerman
“Untitled” by Christine Domanic, one of the 37 artists featured in “Earthen Plot,” opening Friday, May 15.
Art lovers will have an opportunity to step inside working artist’s studios across the region next weekend as Open Studios by Upstate Art Weekend returns Saturday, May 16, and Sunday, May 17, from 11 a.m. to 6 p.m.
The annual event invites the public into the creative spaces of 240 artists throughout the Hudson Valley and Catskills, offering an intimate look at artistic practices across disciplines while fostering direct connections between artists and visitors.
This year marks the first standalone edition of Open Studios. While the event previously took place alongside June’s Upstate Art Weekend festival, founder Helen Toomer said dedicating an entire weekend to studio visits allows the focus to remain fully on artists and the experience of encountering their work where it is made.
“While Open Studios previously took place alongside Upstate Art Weekend in June, dedicating an entire weekend to studios allows the focus to remain fully on the artists and the experience of visiting them in their creative spaces,” said Toomer. “We’re excited to welcome both returning and new participants this year.”
Founded in 2020, Upstate Art Weekend has grown into a major regional arts platform spotlighting artists, organizations and creative communities throughout the Hudson Valley and Catskills.
The self-guided, region-wide program transforms private studios into temporary public spaces for conversation, discovery and engagement with contemporary art.
Toomer said the shift creates a distinctly different experience from the larger June festival.
“One of the biggest differences from June is the pace and focus,” she said. “Open Studios offers a more intimate experience — giving visitors time to connect directly with artists, see where work is made, and engage more deeply with their practices.”
She added that the two events complement one another.
“Together, the two events create a meaningful balance: Open Studios in May centers the artists, while June’s Upstate Art Weekend gives participating artists the opportunity to explore the region’s museums, galleries and organizations themselves.”
This year’s Open Studios will kick off with the opening reception for “Earthen Plot,” a group exhibition curated by Toomer, from 6 to 8 p.m. Friday, May 15, at UAW headquarters in Kingston.
The exhibition features work by 37 artists selected from more than 200 Open Studios participants and explores artistic practices shaped by place — physically, spiritually and intuitively.
Through sculpture, painting, installation and ephemeral forms, “Earthen Plot” examines relationships between land, material and environment.
The exhibition will remain on view through June 29, with regular Saturday hours and extended hours during Open Studios weekend and Upstate Art Weekend, which takes place June 25-29.
Visitors can plan their Open Studios routes using UAW’s online interactive map and create customized itineraries to explore studios across the region.
“More than anything, we hope both weekends encourage people to discover the richness of the Hudson Valley’s creative community in a personal and memorable way,” Toomer said.
More information is available at upstateartweekend.org.
Dee Salomon
This brief period in the spring, before the mosquitoes and poison ivy proliferate, is irresistible to me. I want to do everything all at once: plant, remove invasives, examine what is coming into leaf and tend to plants that need protection, whether from deer or downy mildew.
Amid the nonstop gardening work, I recently made time to join a tour of two nearby gardens. Each had a fascinating history, and we looked at photos to see how much had changed and what was still there and flourishing, including a stand of large yellowroot with delicate brown-and-yellow flowers that look like a cross between an orchid and a lilac. It has been there for decades, a lesson in successful gardening with native plants.
As we toured, I overheard someone grumble about having too much wild strawberry in their garden. I secretly laughed, as I have worked for several years to encourage the spread of this sweet plant with its pert white flowers and miniature fruit. I have planted it under trees, encouraged it along woodland paths, and sat on the edges of the lawn for hours pulling out the very similar mock strawberry, Potentilla indica, to allow the native one to proliferate.
One of its characteristics is that it spreads readily, given room. As a groundcover, it also controls erosion. According to Native Plant Trust, Fragaria virginiana supports 75 different species of butterflies and moths throughout their life cycles and supports numerous other insects, as well as mammals and birds. This makes it a “keystone” plant, a designation that means without it, an ecosystem is vulnerable to collapse. That is a big responsibility for a small plant.
One person’s trash is another’s treasure. On the very same garden tour, another person was extolling the flowering lily of the valley, Convallaria majalis, situated in a stone-walled bed. I used to feel the same way until I noticed large swaths of it growing in the woods.
This romantic and fragrant flowering plant is a wolf in sheep’s clothing. Its deep rhizomatous roots crowd out native groundcover neighbors. Lily of the valley is highly toxic to mammals and, as a nonnative, supports only a few insects that use its pollen. I have tried digging and pulling it out to no avail. This year, I am using a strimmer, aka weed whacker, even though I risk damaging nearby plants. I am hoping that after doing this a few times over the next several years, I will succeed in getting rid of it. I will keep you posted.
Native groundcover may not be our first thought when we garden, but it is an easy and fundamental way to tie together a garden bed, especially when garden plants are still immature, while helping nature at the same time.
In addition to wild strawberry, another keystone groundcover in our area is violet; it is the exclusive larval host plant for dozens of fritillary butterfly species. They are flowering now in numerous shades of their namesake color. I find them to be a native treasure, too long taken for granted and eschewed for fancier plants.
In shady areas, two gorgeous native options are foamflower, Tiarella cordifolia, which has a delightful early spring flower — a 4-inch spike of tiny white foamy blooms — and wild ginger, Asarum canadense, a dignified option that creates a bed of overlapping semicircles completely covering the soil beneath.
If you are looking for something that forms a clump, the species Heuchera americana and Heuchera villosa are known as alumroot or coral bells. Finding the original species version can be difficult, as there is an abundance of colorful cultivars at nurseries. Aside from being too flashy for my taste, the versions with red and purple tones will be largely ignored by the native insects we are trying to protect. Stay away from those and stick with the green-leaved versions.
Where do you find these and other useful and beautiful plants? The Cornwall Garden Club is hosting its annual native plant sale Saturday, May 23, from 11 a.m. to 1:30 p.m. on the terrace at The Pink House Restaurant, 34 Lower River Road in West Cornwall. I will be there, as will Michelle Paladino from Lindera Nursery and Heidi Cunnick from the Cornwall Conservation Commission. Come visit and say hello.
Dee Salomon ‘ungardens’ in Litchfield County.

Want more of our stories on Google? Click here to make us a Preferred Source.

Want more of our stories on Google? Click here to make us a Preferred Source.