British Classic on the Summer Stage

British Classic on the Summer Stage
Ivan Howe as Oliver Twist Photo by Aly Morrissey

The children seated in the front two rows at the opening weekend “Oliver!” at The Sharon Playhouse in Sharon, Conn., may well be in for a surprise if they ever feel inspired to crack open the Charles Dickens novel of sinister class commentary.

Sprightly, merry, and comical, The Playhouse’s production, directed by Michael Kevin Baldwin, stays true to the 1960 adaption of the West End show with book, music, and lyrics by Lionel Bart, later directed as a 1968 Oscar-winning film by Carol Reed — and perhaps softens some edges even further.

Bart’s kind-hearted musical made the characters in Dickens’ tale of thieves and child criminals in London’s decrepit rookeries more palatable as a family-friendly frolic. It was “Oliver Twist” for the modern masses. What he did best was craft a superbly enduring soundtrack for this 19th-century fairy tale, with songs that remain instantly recognizable and hummable — “Food Glorious Food,” “Consider Yourself,” “You’ve Got To Pick A Pocket or Two,” “I’d Do Anything” — is it any wonder that in Bart’s New York Times obituary, Andrew Lloyd Webber called him ‘’the father of the modern British musical”? The audience at The Playhouse could nearly be asked to sing along.

Baldwin’s production, with musical direction by Jacob Carll, choreography by Michelle Lemon, and set design by TJ Greenway, leans heavily into the touchstone musical numbers and softens the drama, giving the show a colorful, zippy feeling at two and half hours (including intermission). Broad comedy and some cockney accent work give the adult players some quirky Masterpiece Theatre-type meat to chew on, and there are plenty of well-cast standouts, especially Dan Radzikowski and Johanne Kesten as the delectably gruesome undertakers, Jenna Leigh Miller as their tarty daughter, and Xavier Turner as their mouthy assistant. They make a whole play out of their side characters. John Bergeron pairs up with The Playhouse board member Savannah Stevenson, who takes to the Sharon stage for the first time to delightful effect as they ham up a weird romance as workhouse beadle Mr. Bumble and the Widow Corney, the first antagonistic adults orphan Oliver bumps up against.

Leading the show as Oliver is Indian Mountain School student Ivan Howe, a more cherubic-faced boy there probably cannot be found, and apparently Netflix agreed since the 11-year-old recently completed filming the upcoming television series “Eric” in New York City and Budapest playing Benedict Cumberbatch’s son. Howe is joined by a large ensemble of children playing the mostly female band of pickpockets, including Phoebe Amankwah as The Artful Dodger.

The wallet-snatching urchins are under the thumb of criminal leader Fagin, adorned in ghoulish garb but mostly played with benevolence by James Beaman. The same cannot be said for Justin Michael Duval, who brings a legitimate sense of masculine threat to the show with a potent turn as villain Bill Sikes.

The emotional core of The Playhouse’s “Oliver!” is YouTube star Gina Naomi Baez, a magnificent singer who imbues warmth and magnetism into Nancy, the tragically abused lover of Bill and Fagin’s criminal accomplice who eventually helps rescue Oliver. Baez has a big, clear, pop-star voice, taking over the show and giving a contemporary edge and heart to Bart’s classic songs.

"Oliver!" runs through Aug. 20.

James Beaman as Fagin Photo by Aly Morrissey

Gina Naomi Baez as Nancy Photo by Aly Morrissey

James Beaman as Fagin Photo by Aly Morrissey

Latest News

Millerton’s 175th committee advances plans for celebration, seeks vendors and sponsors

The Millerton 175th anniversary committee's tent during the village's trunk-or-treat event on Oct. 31, 2025.

Photo provided

MILLERTON — As Millerton officially enters its 175th year, the volunteer committee tasked with planning its milestone celebration is advancing plans and firming up its week-long schedule of events, which will include a large community fair at Eddie Collins Memorial Park and a drone light show. The events will take place this July 11 through 19.

Millerton’s 175th committee chair Lisa Hermann said she is excited for this next phase of planning.

Keep ReadingShow less
Why the focus on Greenland?

As I noted here in an article last spring entitled “Hands off Greenland”, the world’s largest island was at the center of a developing controversy. President Trump was telling all who would listen that, for national security reasons, the United States needed to take over Greenland, amicably if possible or by force if necessary. While many were shocked by Trump’s imperialistic statements, most people, at least in this country, took his words as ill-considered bluster. But he kept telling questioners that he had to have Greenland (oftenechoing the former King of France, Louis XIV who famously said, “L’État c’est moi!”.

Since 1951, the U.S. has had a security agreement with Denmark giving it near total freedom to install and operate whatever military facilities it wanted on Greenland. At one point there were sixteen small bases across the island, now there’s only one. Denmark’s Prime Minister has told President Trump that the U.S. should feel free to expand its installations if needed. As climate change is starting to allow a future passage from thePacific Ocean to the Arctic, many countries are showing interest in Greenland including Russia and China but this hardly indicates an international crisis as Trump and his subordinates insist.

Keep ReadingShow less
Military hardware as a signpost

It is hard not to equate military spending and purchasing with diplomatic or strategic plans being made, for reasons otherwise unknown. Keeping an eye out for the physical stuff can often begin to shine a light on what’s coming – good and possibly very bad.

Without Congressional specific approval, the Pentagon has awarded a contract to Boeing for $8,600,000,000 (US taxpayer dollars) for another 25 F-15A attack fighters to be given to Israel. Oh, and there’s another 25 more of the F-15EX variant on option, free to Israel as well.

Keep ReadingShow less
Truth and evidence depend on the right to observe

A small group of protesters voice opposition to President Trump's administration and Immigration and Customs Enforcement at Amenia's Fountain Square at the intersection of Route 44 and Route 22 on Saturday, Nov. 8, 2025

Photo by Nathan Miller

The fatal shooting of Alex Pretti, and before him Renée Good, by federal agents in Minnesota is not just a tragedy; it is a warning. In the aftermath, Trump administration officials released an account of events that directly contradicted citizen video recorded at the scene. Those recordings, made by ordinary people exercising their rights, showed circumstances sharply at odds with the official narrative. Once again, the public is asked to choose between the administration’s version of events and the evidence of its own eyes.

This moment underscores an essential truth: the right to record law enforcement is not a nuisance or a provocation; it is a safeguard. As New York Times columnist David French put it, “Citizen video has decisively rebutted the administration’s lies. The evidence of our eyes contradicts the dishonesty of the administration’s words.”

Keep ReadingShow less