Thank you!
Your support is sustaining the future of local news in our communities.

World War II drama on the stage in Copake

World War II drama on the stage in Copake

Constance Lopez, left, and Karissa Payson in "A Shayna Maidel," onstage through Sunday, March 24, at the Copake Grange.

Stephen Sanborn

There are three opportunities coming up in March — the 22nd, 23rd and 24th — to be transported through time and memory when The Two of Us Productions presents “A Shayna Maidel” at the Copake Grange.

Director Stephen Sanborn brings to life Barbara Lebow’s award-winning drama, weaving together the poignant reunion of two sisters after World War II through the haunting echoes of their past.

“A Shayna Maidel,” meaning “pretty girl” in Yiddish, tells the story of the reunion of two sisters after World War II, one having survived the Nazi concentration camps. Co-producers Sanborn and his wife, Constance Lopez, have been working with the Copake Grange since 2017 bringing in one-night events such as suspense theater, staged readings, murder mysteries, karaoke and even Sanborn’s own jazz quartet. They are also producing full-scale productions like “A Shayna Maidel” at least twice a year.

“We are supporting the longer-term relationship we have with the Grange where we want to present on a regular basis as a part of working with them,” said Sanborn. Having previously produced Arthur Miller’s “Broken Glass,” several productions of “Cabaret” and a staged reading of “I Am a Camera,” the book that “Cabaret” is based on, Sanborn shared, “We have a particular affinity for this time period. This is the time period where a lot of things happened in the world that set the course in many ways for where we are today.”

“A Shayna Maidel” delves into the complexities of family, survival and resilience in the aftermath of tragedy. Sanborn explained, “It’s not all happiness and light, but it’s positive in a way that, despite all that happens, you can find a way to go forward.” The play’s exploration of memory, particularly through the lens of one sister’s experiences in Auschwitz, adds layers of emotion and depth to the narrative. Much of the story takes place through these memories and dream sequences.

In order to accomplish the transitions between past and present, dream and reality, Sanborn utilizes lights and colors, creating separate worlds: “The way we handle the dream sequences is that I’m able to do a color wash on the whole stage. I use blue, a deep blue and blush pink to denote the memory sequences.”

Sanborn reflected on the relevance of this particular story, stating: “We’re trying to be true to the material because it speaks to experiences that people are having right now. You could pick several places in the world where families are being separated or people are being oppressed and worse. There’s certainly a message there that’s relevant, and we’re trying to make sure that we tell it with the appropriate level of strength so that it comes across for what it is.”

Through its exploration of themes such as immigration, family separation, oppression and memory, “A Shayna Maidel” is sure to resonate with audiences on a profound level. “I think it’s a story that needs to be told,” said Sanborn.

Witness this powerful production, as The Two of Us Productions continues its mission to bring thought-provoking theater to the community Friday, March 22, through Sunday, March 24, at the theater at the Copake Grange, 628 Empire Road in Copake, New York. Friday and Saturday performances are at 7:30 p.m. and Sunday matinee is at 3 p.m.

Tickets are $20 for adults, and $15 for students and older adults. Call for group rates. For reservations, visit www.TheTwoOfUsProductions.org or call 518-329-6293.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.