
Frank Gehry’s Fisher Center is reason enough to make a trip to Annandale-on-Hudson, N.Y., and the Bard College campus, but there are also concerts and performances there throughout the summer. Photo of Fisher Center by Peter Aron/Esto
Distances seem to become daunting, even insurmountable, here in the Tristate region. Perhaps it’s because we’re all so comfy in our country homes — although I think actually what happens is that, emotionally, we all begin to set up Boundaries that Must Not Be Crossed.
People who live in Salisbury, Conn., rarely venture down to Kent, Conn., and vice versa, for example. And yet, the 40-minute travel time is really not that significant; doesn’t it take that long to travel by surface roads from the Upper West Side to SoHo? Even the subway isn’t much faster.
The same prejudice applies to travel between Litchfield County and the Hudson River Valley. Come on folks, it is not really that hard to get to Red Hook, N.Y. (the one up here, not the one in Brooklyn) — especially when you think about all the benefits that a scant 40-minute car ride will bring.
First, there’s the beauty. In autumn and winter, it’s nice to travel to Red Hook at sunset; the views are crushing they’re so gorgeous. But this is summer, and the sun won’t set until after dinner.
So you’ll just have to be content with endless views of farm fields and forest, with birds wheeling around the sky. Sorry that there won’t be a lot of honking cars and traffic; you’ll just have to be alone with all that beauty and bird song for three-quarters of an hour, or maybe a little less, depending on where you live and how you drive.
And what is so special, you ask, about Red Hook, other than that it shares its name with a hip section of Brooklyn? Red Hook is the home of Bard College (although the official literature refers to it as Annandale-on-Hudson). Bard offers super interesting cultural events throughout the academic year, with talks and concerts in an intimate setting by artists and writers (I personally have seen Fran Lebowitz, Neil Gaiman and Alan Cumming there).
The campus doesn’t go to sleep in summer, which is when the multifaceted Bard Summerscape explodes, with classical concerts, chamber music, drag performances, the Hudson Valley Chamber Music Circle concerts, the more offbeat programs in the Spiegeltent and opera, ballet and more — most of it in the Frank Gehry-designed Fisher Center, which is worth a trip to Red Hook (I mean Annandale-on-Hudson) in its own right. The Bard campus has beautiful gardens, plantings and buildings, most of them in a classical vein; and then there is the wobbly metal design of the Fisher Center. It’s amazing and definitely worth the drive.
Summer music
This summer’s chamber music series started on June 4 with the Emerson String Quartet, going on their farewell tour in anticipation of retiring with a concert at Alice Tully Hall in New York City in October 2023.
But the beat goes on, quite literally, with a concert by Sō Percussion on Saturday, June 18, at 7 p.m. in Olin Hall (which is a Bard College auditorium; it’s not the Fisher Center but it’s two minutes away by car, you can visit it before your concert begins).
I am not personally familiar with Sō Percussion, described by The New Yorker as offering an “exhilarating blend of precision and anarchy, rigor and bedlam.”
A restful interlude follows on Saturday, June 25, also at 7 p.m. in Olin Hall with a concert titled “Beloved Piano Quartets.” Although the focus is on the piano, the star of this show might well be violinist Jaime Laredo, who is described as “one of the top violinists of the late 20th century.”
A more contemporary menu comes up at the Bard Spiegelent at the Fisher Center, which offers events from June 24 to Aug. 13, beginning with the Black Roots Summer weekend. There will be a concert by Mwenso and the Shakes on Saturday, June 25, at 8 p.m. and continuing into the next day, from 4 to 7 p.m. with a an all-ages, all colors, all body types party hosted by the Black Roots Summer cohort. There will be live music, DJs, dancing and more “for a late afternoon of joy, hope, healing and BBQ.”
Swinging back again toward the classical, there will be a new translation of Moliere’s “Dom Juan” performed from June 23 to July 17 at the Fisher Center.
Bard College President and orchestra conductor Leon Bottstein presents a deep dive into the world and work of Sergei Rachmaninoff for the 32nd Bard Music Festival (Aug. 5 to 7 and 12 to 14).
And there will be a performance of a Richard Strauss opera, “The Silent Woman,” from July 22 to 31.
That’s not even all that’s offered. Certainly it’s worth a 40-minute car ride through some of the most beautiful parts of Dutchess County to get there.
But what
about dinner?
There was a famous restaurant near Bard’s campus called Mercato that closed down early in the COVID-19 pandemic. It has reopened, with a new name, in nearby Tivoli, N.Y.
Now called GioBatta Alimentari, the cozy farmhouse-style restaurant serves Italian classics, exquisitely prepared with Hudson Valley ingredients.
I personally love arancini, the Italian fried rice balls that are so hard to find, but are on the menu here, along with all the beloved favorites: meatballs, lasagna, panini, antipasti, pasta and the kale salad that was made famous at Mercato (lacinato kale, lovingly massaged with lemon juice until it becomes tender, served with currants, pine nuts, pecorino cheese slivers and a simple dressing of olive oil and more lemon juice).
Get the address and see the full menu at www.giobatta.com.
I also really like a large, bustling, somewhat rowdy Italian restaurant in nearby Kingston, N.Y., called Savona’s. The food is also very good, but the atmosphere is at the other end of the spectrum from GioBatta Alimentari.
After two years of COVID, I’m particularly nostalgic for good sushi. There are a few small but high-quality Japanese restaurants in the area. In Red Hook there is Hana Sushi (www.hana-sushi.com). In nearby Rhinebeck, N.Y., there are two more upscale sushi eateries called Momiji (www.momijiny.com) and Osaka (www.osakasushi.net).
To find out more about Bard College’s many summer culture offerings at the Annandale-on-Hudson, N.Y., campus go to www.fishercenter.bard.edu/whats-on/programs/summerscape.
Participating students and teachers gathered for the traditional photo at the 2025 Troutbeck Symposium on Thursday, May 1.
Students and educators from throughout the region converged at Troutbeck in Amenia for a three-day conference to present historical research projects undertaken collaboratively by students with a common focus on original research into their chosen topics. Area independent schools and public schools participated in the conference that extended from Wednesday, April 30 to Friday, May 2.
The symposium continues the Troutbeck legacy as a decades-old gathering place for pioneers in social justice and reform. Today it is a destination luxury country inn, but Troutbeck remains conscious of its significant place in history.
A showing of student artworks within the theme of linking the past with the present opened the symposium on Wednesday evening. Each work of art had to draw on historical research to foster an informed dialogue between the artist and the contemporary audience.
The second day was devoted to student research presentations, showcasing teams from the region’s leading public and private schools with strong programs aimed at cultivating engaged young historians. Primary source materials and live interviews with descendants were included in the process.
Topics were divided into blocks with guest commentators providing reactive response as each block of student presentations concluded. Serving as commentators were Dr. Hasan Kwame Jeffries, Ohio State University, and Dr. Christine Proenza-Coles, University of Virginia.
Resistance in the face of oppression and stories of resilience that spanned generations formed an important theme as students presented the stories of area settlers and residents who suffered but endured.
As a sampling, The Taconic School teamed up with The Salisbury School to unearth untold stories of Boston Corners. The Hotchkiss School looked into the activities of the Ku Klux Klan in Connecticut. The Cornwall Consolidated School students stepped up with their untold stories of early Cornwall women.
Other presentations explored criminal justice — witchcraft trials — dealing with society’s “undesirable” elements, individuals in history who took action, people and movements that formed resistance, and various forms of discrimination.
Praising the work of the students, Dr. Jeffries identified a theme of resistance and survival.
“The war ended but the resistance did not,” Jeffries said. “We don’t take indigenous people seriously,” he added. “White supremacy happened in our own back yards.”
“We saw the evolution of research,” said a Cornwall Consolidated School representative. That project moved into civic engagement by the students that moved beyond the classroom.
“This is not the past; this is part of the present,” said Dr. Proenza-Coles.
A panel discussion among educators whose students had participated in the 2025 Troutbeck Symposium was held on Friday, May 2, to offer reflections on the symposium, its value and future development. Panelists from left to right were Jessica Jenkins, Litchfield Historical Society;Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School. Leila Hawken
The third day invited area history educators to assemble and share ideas for redesigning elements of history education, a day of reflection.
The panel included Jessica Jenkins, Litchfield Historical Society; Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School.
Valcin reflected on his work as a shared project within The Salisbury School, one where the inquiry would seek to find “the deeper story behind a base story.”
Duprey also spoke of process and the educational value of engaging with historical inquiry.
Each representing a profession that brings them into contact with historical inquiry, the panelists recounted tedious history classes of past decades. Jenkins described her own career as “public history.”Lamb-Canon’s experience began with choosing history electives in college. Bengal spoke of community engagement and the power of involvement with history.
“History is not the opposite of scientific inquiry,” said Bengal.
Significant discussion centered on the possibility of offering the Troutbeck Symposium model to a wider audience of school systems throughout the U.S.
“A community approach to education,” was a characterization offered by Troutbeck owner Charlie Champalimaud, commenting during a brief interview at the end of the symposium on Friday, May 2. She encouraged a push toward increasing even more the number of participating schools, their educational communities and symposium sponsors.
Terence S. Miller, owner of Roaring Oaks Florist in the new self-serve area of the shop.
Just in time for Mother’s Day, Roaring Oaks Florist in Lakeville has launched a new self-serve flower station next to its Main Street shop, offering high-quality, grab-and-go bouquets from 8 a.m. to 8 p.m., seven days a week — including Sundays when the main store is closed.
Owner Terence S. Miller, who bought the shop 24 years ago at just 20 years old, calls the new feature “a modern twist on an old-school honor system,” with some high-tech updates.
“We’re still using our same high-end flowers, just with less markup and no labor,” said Miller. “That way people can access our quality anytime, even if we’re closed.”
Tucked beside the shop’s main entrance at 349A Main Street next to The Boathouse, the self-serve area is partitioned and monitored by security cameras. A simple touchscreen checkout system lets customers pay with a credit card — no cash accepted — and includes photo prompts to make selection easy. Vases, ribbons, flower food, and care instructions are all stocked and labeled.
“We’ve tried to think of everything people might need,” said Miller. “It’s all about making great flowers more accessible without losing what makes Roaring Oaks special.”
Miller said the idea came from years of watching customers try to squeeze in a visit before or after hours. “We’re open 8 hours a day, but we’re here for almost 10, and it still isn’t enough. People are always showing up after we close,” he said. “This way we can be ‘open’ more hours without adding staff.”
Though he considered making the space available 24/7, Miller ultimately decided against it. “We didn’t want to encourage late-night tampering,” he said, noting the shop’s proximity to local bars and restaurants.
Miller’s journey into flowers was unexpected. As soon as he could get his farming papers at 12 years old, he started working at Silamar Farm in Millerton. Alongside its produce, Silamar’s was one of the first farm stands in the area to sell fresh cut flowers.Miller began growing and bundling cut flowers for city-bound customers. “By 16 I needed a year-round job, so I applied to every florist around. I just had a knack for it,” he said. After a stint in Rhinebeck, he returned and bought Roaring Oaks from its previous owner.
In the decades since, he’s built a reputation for quality and creativity. The shop’s flowers are sourced from around the world, particularly Canada and South America, though Miller is committed to supporting local growers wherever possible, especially for summer offerings and weddings.
“We’re hoping to feature some smaller farms in the self-serve section this summer,” said Miller. “DIY weddings have taken off, and people don’t always realize the benefits of buying local. Cold chain is everything. The flowers we source come straight from the airport to the wholesaler and right up here. That’s how we keep them fresh.”
Roaring Oaks also offers consultations and bulk flower discounts for events and weddings, a service Miller hopes more customers will discover through the new self-serve setup.
After 50 years in business, and nearly a decade at its current Lakeville location, Roaring Oaks continues to evolve. “This September marks my 25th year,” said Miller. “I’m always looking for ways to make people happy. Flowers should be simple, joyful, and accessible. That’s what this is all about.”
For more information or to plan your Mother’s Day bouquet, visit Roaring Oaks Florist at 349A Main Street, Lakeville.
A string quartet opened the Bard Conservatory of Music program for Region One third grade students at Music Mountain.
Region One third grade students attended a chamber music concert by Bard Conservatory of Music students at Music Mountain Tuesday, April 29.
After expending spare energy racing around the Music Mountain lawn, the children trooped into the concert hall and took their seats.
After a brief introduction from Bard’s Mira Wang, the first item on the program was a string quartet, playing a piece by Haydn.
The students also heard a solo rendition of medieval songs played on the alto trombone, an unusual instrument.
The annual third grade concert is a tradition that stretches back decades at Music Mountain. It’s a treat for the children, and for the music students, who get to experience the incredible acoustics of the Music Mountain concert hall.
Two flutists performed later in the show.Patrick L. Sullivan