Thank you!
Your support is sustaining the future of local news in our communities.
photography

A Photography Series 400 Million Years in the Making

‘A stone is a thought that the earth develops over inhuman time.”

This line from Louise Erdrich’s story “The Stone” served as inspiration for photographer Sarah Prud’homme when creating her new series that is now on display at the Cornwall Library in Cornwall, Conn.

The exhibit entitled Inhuman Time opened to the public on Saturday, Jan. 21.

Prud’homme described the series as “a meditation on stones from New England’s coasts,” and says the natural world has always been a key influence on her art.

“I was just struck how nature could form something like this,” said Prud’homme as she held one of the roughly 400-million-year-old basalt stones. “These are from a cove which is very narrow, and because the wave action was so intense, they became very rounded.”

Many of the stones in Prud’homme’s series were found along the coast of Maine and were formed when volcanic magma erupted to the surface almost half a billion years ago.

“Mostly basalt, they have high concentrations of magnesium, iron, and calcium, which gives them a rich black hue.”

Prud’homme hoped the series would allow viewers to “reflect on the fact that humans and stones are composed of the same minerals, that the universe is interconnected, and that our survival depends on this awareness.”

The images on display were created by layering up to 50 unique photographs of each stone into a “hyper-focused composition that appears both flat and three dimensional.”

“Inhuman Time” is Sarah Prud’homme’s debut exhibit at the Cornwall Library and her first solo show since 2012. The prints will be on display in the library through March 4.

Photographer Sarah Prud'homme at the opening of her show at The Cornwall Library. Photo by Riley Klein

Black I by Sarah Prud'homme Photo by Riley Klein

Photographer Sarah Prud'homme at the opening of her show at The Cornwall Library. Photo by Riley Klein
Riley Klein
photography

Latest News

The Millerton News - November 12, 2026

The Millerton News - November 12, 2026

Download directly

Original art, attainable prices

Original art, attainable prices

Kenise Barnes Fine Art presents “Cool & Collected ’26,” its annual exhibition celebrating the joy of collecting, featuring works priced under $2,000.

D.H. Callahan

There’s a corner of YouTube populated by real-time footage of high-dollar art sales from prestigious New York and London auction houses like Sotheby’s, Christie’s and Phillips. Hundreds of thousands of viewers routinely watch with rapt attention, popcorn and cocktails in hand, as recognizable pieces from art history make their way to the upper echelons of grossly unattainable hammer prices. Pieces can often start with opening bids of tens of thousands of dollars and work their way up to multiple millions. Bidding increments alone can grow to sums unattainable for the average American family in several lifetimes.

Kenise Barnes Fine Art in Kent, Connecticut, wants to help make fine art more accessible. The 2026 version of the gallery’s annual “Cool and Collected” exhibition is subtitled “The Gift Edit” and features dozens of works by fine artists at prices that are much more in reach than an art-world outsider might expect. More than 30 artists contributed pieces to the show. Almost all available works are priced under $2,000, with many below $500. The collection features paintings, drawings, collage and ceramics.

Keep ReadingShow less
exhibit

Jennifer Terzian’s sanctuary for contemporary art

Jennifer Terzian’s sanctuary for contemporary art
Jennifer Terzian, founder of Jennifer Terzian Gallery in Litchfield.
Provided
The gallery is really meant to create a very intimate relationship with the artist and the story behind their work.
—Jennifer Terzian

On a recent crisp, fall afternoon in Litchfield, Jennifer Terzian welcomed a steady stream of collectors, artists, and art-world insiders into her jewel box of an art space on South Street, just off the town’s manicured historic Green.

The occasion was an opening for Jenny Kemp, an artist noted for balancing fluidity and structure in her abstractions through repetition, variation, and gradual shifts in hue. Hers is exactly the kind of tactile, process-driven work Terzian champions at a subterranean space that feels less like a commercial art gallery and more like stumbling into an impeccably edited sanctuary of contemporary thought.

Keep ReadingShow less
our community
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Peter Cusack is finding the eternal in North Canaan

Peter Cusack is finding the eternal in North Canaan
Peter Cusack in his studio.
Provided

“I think art is the thing that allows us to feel there’s something in the universe that loves us,” said painter Peter Cusack in his new studio, a mid-19th-century stone church on Main Street in North Canaan.

For Cusack, art has always been a way of reaching toward something beyond the physical world. That sensibility runs through “Eternal: New, Recent, and Near Distant Paintings,” his upcoming exhibition in the church, a setting that seems an improbably good fit.

Keep ReadingShow less
exhibit

Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years together at the Mahaiwe Nov. 14

Heather Pollock

Now celebrating 40 years, Cowboy Junkies will perform Saturday, Nov. 14, at the Mahaiwe Performing Arts Center in Great Barrington, Massachusetts.

The band is celebrating its long career with a triple-vinyl retrospective album called “Open to Beauty,” featuring a selection of songs from 2000 onward, including material from its most recent release, “Such Ferocious Beauty.”

Keep ReadingShow less
concerts

Mike Selbach finds the extraordinary in everyday life

Mike Selbach finds the extraordinary in everyday life
“R46 Interior” (2026). Solid cherry and acrylic, 21” x 26.75” x 0.75”
Provided

Subway stations may seem unlikely places to encounter the divine, but amid the rumble of trains, the crush of commuters and the cavernous underground passageways, Salisbury artist Mike Selbach finds moments of unexpected beauty.

In “Subway Saints,” his solo exhibition opening Thursday, Nov. 12 at the Warren Family Gallery at Berkshire School in Sheffield, Massachusetts, Selbach transforms ordinary commuters and familiar transit spaces into sacred moments.

Keep ReadingShow less
exhibit
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.