Thank you!
Your support is sustaining the future of local news in our communities.

Cheating — a reality check

There are so many ways to cheat that do not break rules, need performance enhancing drugs or skirt fair play.

Yes, steroids are an unfair advantage, but only if you monitor all steroid consumption by every athlete. Do the hormones put in cattle feed in America count as cheating? Nope, the FDA says they are safe (yet the FDA doesn’t actually test meat, only blood — and all final animal feed carries the instruction “Stop Feeding Three Weeks Before Slaughter”).

Do you really think American teenagers are naturally bigger, faster, stronger than kids from less affluent countries? Do kids from, say, Kazakhstan, cheat when they supplement their dietary hormones to match the American ones?

And what about the technology of swimsuits, more slippery than normal fabric, that Nike made for the U.S. Olympic Team at great expense? Did they give them to all the countries’ swimmers? Nope.

And how about the $7 million snow half-pipe test facility built especially for our snowboard team by Red Bull, is that cheating?

The fact is, when sport is a commercial enterprise and there is profit to be made by athletes, managers, coaches, agents, licensees, and, of course, the athlete, pressure builds to find a way to maximize revenue.

If maximizing revenue means winning, then every means available will be employed to and for the athlete to deliver the reward he or she is expected to deliver. And when that athlete does not deliver, there are penalties for the whole team, not to mention the athlete’s psyche and well-being.

What? You thought these tennis players, skaters and gymnasts were weak to have mini-breakdowns?

The pressure on them to deliver everyone’s paycheck is overwhelming.

And that’s the issue here. If you told your 5-year-old that she would not get dinner unless she won the playground sack race, you could, reasonably, be accused of abuse.

Professional sports is like that. The threat is always behind achievement potential. Fail to catch the winning football pass and your contract gets dropped, your agent drops you, your manager quits, your personal trainer wants more money, your banker sees a drop in your income and forecloses on your mortgage. Think that doesn’t happen? It does, all too often.

Now tell me you would not try and gain an edge, with all that weight of responsibility on your shoulders? Any professional sport is a business, tainted by a desire to win at all costs for profit. Sometimes, the human carnage, like a Russian 15-year-old skater, is just the inevitable outcome.

 

Peter Riva, a former resident of Amenia Union, now resides in New Mexico.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.