Thank you!
Your support is sustaining the future of local news in our communities.

Another step for local journalism

Some of our readers may have noticed that the past couple of weeks — and this week — we’ve included in our print editions a letter from the owners of The Lakeville Journal Company. Well, actually, we know that some of you have noticed, because we are already receiving responses and support proving it. Thank you for reading the letter, and thank you to all  who have contributed.

During the past year, our owners and staff and many interested community members have done research and given much thought and discussion to what the next steps should be for The Lakeville Journal Company and its publications (The Lakeville Journal and The Millerton News and more). What should the model be? Other news organizations had gone nonprofit; or stayed for-profit but pursued a membership model like the one we did last year; or they have done a hybrid, remaining for-profit but creating a nonprofit foundation that would help support the news side of the company. 

An additional challenge in 2020 for many nonprofits has been dealing with the effects of the COVID-19 pandemic, which made survival extremely daunting — and sometimes impossible.  Our company qualified for a PPP loan/grant, so that despite losing more than 30% of advertising (for good reasons, during the coronavirus pandemic) it retains a good measure of financial stability. 

Last year at this time, The Lakeville Journal, The Millerton News and www.tricornernews.com, which you know as your local and locally owned news sources, reached out to the community asking for what we called at that time “membership support” to help this independent media company survive. At that time, it was indeed a struggle for our survival. Since then, a lot has happened. But the result is that the company is in a much more stable position as we move forward into 2021. What must happen now is ongoing serious consideration of the future of this company by the ownership and staff, readers and supporters, as we seek a conclusion to what model might best work to ensure our survival going into the next year and beyond.

After that consideration, the company is entering 2021 with the same general model we used in our pre-2020 initiative, but calling those who take part “community contributors.” This is simply to differentiate between the longtime board and executive committee, the company’s owners, who are referred to as “members.” There has been a cushion of time given for the next decision, because in addition to our PPP loan/grant, our readers also gave generously over the past year, not only taking us through 2020 but into 2021. 

So why are we continuing the for-profit model if the company is stable for the near future? Because we don’t want to get into an emergency situation like the one we were in at this time in 2019. The way that local news is suffering in general throughout the country, it is far too likely that the challenges of the marketplace could again become too much for this little media company to survive. And as we heard from readers when we did the surveys last year and since that time, this area needs local news coverage and would suffer without it. We are very committed to keeping local news here, and will be flexible and creative with solutions every step of the way in order to be sure it continues.

Thank you again to all who have supported us, and to all who continue to support us. Without that support, your local journalism would not be in your communities right now. But The Lakeville Journal Company, which includes The Lakeville Journal, The Millerton News, www.tricornernews.com, Compass, TriCorner Real Estate and other publications, is here, grateful and highly motivated to remain, precisely because of the community support that came to our aid when it was critical. We take your trust very seriously and are now taking every measure to be sure local news will be part of the Tri-state region for years to come.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.