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SHARON — Michael Richard Tesoro MD, FACOG, FACS passed away peacefully on Christmas Day, Dec. 25, 2024, in Sharon. He was 83 years old. Michael will be remembered for his love of and unwavering devotion to his family and his honorable and steadfast work as a medical doctor delivering over 3,000 healthy babies and women’s healthcare. Born in Brooklyn, New York, on May 20, 1941, Michael was the son of Nicholas Daniel Tesoro and Lillie Della Vecchia Tesoro, whose parents emigrated from Southern Italy in the early 1900’s.
Michael attended elementary school at Good Shepherd Roman Catholic Church and School in Brooklyn, where his future wife, Maureen Lennon, also attended, and where they were later married in 1964. Michael graduated from James Madison High School in Brooklyn, in 1958. He received a Bachelor of Science (B.S.) in Biology and Chemistry from St. John’s University in 1962. He then attended New York Medical College in New York, New York, performed his Medical Internship at Greenwich Hospital in Greenwich, Connecticut, (1967-1968) and received his Doctor of Medicine (MD) in 1968. Michael performed his post-graduate Residency training in Obstetrics and Gynecology (OB-GYN) at St. Clare’s Hospital in New York. (1968-1972). From 1972-1974, Michael served in the United States Air Force, Major, Chief of OB-GYN Services at USAF Hospital, Dover Air Force Base, Dover, Delaware. He became a member of The National Board of Medical Examiners in 1968; a Fellow of The American College of Obstetricians and Gynecologists (ACOG) in 1971, a board-certified Fellow of The American Board of Obstetrics and Gynecology (FACOG) in 1974, and a board-certified Fellow of The American College of Surgeons (FACS) in 1975.
In 1974, Michael moved his family to Sharon, a place he would call home for the next 50 years. Michael opened a private medical practice on The Green and later established satellite offices in Canaan and New Preston, and Dover Plains, New York. He became an Active Attending Staff at Sharon Hospital (1974), Chief of the OB-GYN Department (1980-1991), Chief of the Medical Staff (1988-1990), and he remained on the Consulting Staff of Sharon Hospital through 2001.
In 1991, Michael became an Associate Attending Staff in the OB-GYN Department at St. Francis Hospital in Hartford. He served as the Assistant Departmental Director (1991-1995), Associate Departmental Director (1995-2000), and Assistant Director of Gynecological Ultrasound from (1991-2000). He was also the Associate Director of The Residency Program for OB-GYN (1994-2000). He later served as a consultant to the CEOs of Westerly Hospital in Westerly, Rhode Island (2001-2002), Mary Lane Hospital in Ware, Massachusetts (2003-2004), Nashoba Hospital in Ayer, Massachusetts (2004-2005).
He held various positions of leadership with American College of Obstetricians and Gynecologists (ACOG) Connecticut, Vice Chair (1991-1994) and Chair (1994-1997) and ACOG District I (Quebec, the Canadian Atlantic Provinces, all New England states, and Chile) among them, Vice Chair (2000-2003), Chair (2003-2006). He helped ACOG efforts to pass Connecticut’s mandate that health insurance plans allow patients direct access to their OB-GYN and actively involved with the team that helped shepherd national “The Newborns’ and Mothers’ Health Protection Act of 1996.”
Michael loved to travel with his wife of 60 years, Maureen Lennon Tesoro. They travelled extensively and visited every continent but Antarctica. In 1983, they travelled to The People’s Republic of China (PRC), on one of the first medical missions from the U.S., less than 5 years after PRC began Reform and Opening efforts.
Michael was a member of Saint Bernard Roman Catholic church in Sharon. In 1986, Michael was Chair, Archbishop Annual Appeal, of the Archdiocese of Hartford. Michael was also a member of The Equestrian Order of the Holy Sepulchre of Jerusalem. He led two medical missions to provide women’s health services to remote villages in the Dominican Republic in 2000 and 2002. He volunteered at Malta House of Care, a mobile medical clinic in Waterbury that provides free quality health care to uninsured and those living below the poverty line (2010-2018).
He is survived by his wife, Maureen Lennon Tesoro, and passed away one day short of their 60th wedding anniversary. He is also survived by his sister, Barbara Tesoro Finegan of Little Silver, New Jersey; his sister-in-law Eileen Lennon of Nyack, New York; and his three children, Michael Richard Tesoro Jr. (Robin Herrick Tesoro) of Windsor, Massachusetts, Jennifer Tesoro Reese (Michael J. Reese) of Larkspur, California, and Todd Lennon Tesoro of Salisbury; and 5 grandchildren Aidan Reese, Eloise Reese, Lily Reese, Francesca Tesoro, and Nicholas Tesoro.
A memorial service will be held on May 17, 2025, at 1:30pm at the Trinity Lime Rock Church in Lakeville, Connecticut.
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino
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