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John Richard Dildine

John Richard Dildine

FALLS VILLAGE — John was born on Dec. 15, 1934, in Evanston, Illinois, and died on June 3, 2024. John graduated from high school in Silver Spring, Maryland, with a focus on audio, radio and music. He curated and hosted a popular Folk Music radio program recorded at WAMC and broadcast by NPR. He was the first president of The Folklore Society of Greater Washington in the early 1960s. He provided audio support during the March on Washington for Jobs and Freedom on Aug. 28, 1963.

John, his wife, Ginny, and their three children (son Wesley, daughters Debbie and Connie) performed as The Dildine Family Folk Songs and Marionettes for ten years at folk festivals, schools and folk venues.

John was a self-employed sound recording engineer for documentary films and television. He was also a voice recording artist. The John Dildine and Ginny Dildine Papers now reside at the Library of Congress-Folklife Division.

John loved travel, painting, pottery, and family. He is survived by his wife of 71 years, Ginny, his son, Wesley (Chelsea), daughters Debbie (Joel) and Connie (Lars); and two granddaughters, Leah (Matt) and Shannon, and four great grandchildren.

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Tri-Corner Real Estate - October 2026

Tri-Corner Real Estate - October 2026

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Susan Schneider and the magic of marbling

Susan Schneider and the magic of marbling
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
It’s a joyful process. —Susan Schneider

A beautiful September morning found Susan Schneider of Shandell’s working in her Ashley Falls home studio, while linen cocktail napkins she had marbled the day before hung on a line outside her back door. Her helpers, dogs Daisy and Stubbs, are never far from her.

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Brian Gersten finds the story in the overlooked

Brian Gersten finds the story in the overlooked

Filmmaker Brian Gersten

D.H. Callahan

At 6 p.m. on Saturday, Sept. 26, award-winning filmmaker Brian Gersten will screen four short documentaries at the David M. Hunt Library in Falls Village, exploring obscure topics such as a lingering territorial dispute between the United States and Canada, a nationwide toilet paper panic sparked by a late-night joke, the infamous “Balloon Boy” saga and the history of bowling in America.

The Chicago-raised, Millerton-based filmmaker has worked as an editor on feature-length documentaries like the cycling film “Enter the Slipstream” and Netflix’s profile on author Tom Wolfe, “Radical Wolfe.” In 2025, “Why We Dream,” a film he edited about bringing D-Day veterans back to the beaches of Normandy, premiered aboard the U.S.S. Intrepid in New York City. When it comes to directing, Gersten’s own interests focus more on the underappreciated and unremembered, as the four short films he directed will demonstrate.

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film

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Muriel Stockdale, left, and judge Roger McKee during the awards announcement at the juried art show at Trinity Episcopal Church. Stockdale\u2019s \u201cKevin\u201d was the second place winner.
Patrick L. Sullivan

The annual juried art show at Trinity Episcopal Church in Lime Rock was won by Mi-Kyung Hwang of Sharon for “Wild Hazelnut from Eggleston.”

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From Woodstock to the Warner, Graham Nash is still singing for peace

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Graham Nash brings a career-spanning retrospective to the Warner Theatre in Torrington on Sept. 30, joined by Todd Caldwell, Adam Minkoff and Zack Djanikian.

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Imagine stepping out onto a stage in front of hundreds of thousands of tired, wet and weary strangers with a lineup of songs they’ve never heard before. If you’re Graham Nash, who will perform with his current band at the Warner Theatre in Torrington on Sept. 30, you don’t have to imagine. You only have to remember.

The legendary Woodstock music festival was only the second concert Nash played with Crosby, Stills, Nash & Young. David Crosby, Stephen Stills and Nash had already formed Crosby, Stills & Nash, releasing their debut album earlier that year. Theirs was a sound both new and nostalgic when it hit the scene in the late 1960s, and, thanks in part to the success all three members had had with previous bands, they instantly found a wide and willing audience.

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