
Joan Crawford, left, with Genie Chester Photo submitted
Norfolk resident and author Robert Dance is presenting his new biography “Ferocious Ambition: Joan Crawford’s March to Stardom” and a film series featuring Crawford at the Norfolk Library.
Norfolk Library director Ann Havemeyer said: “The first film screening was great. Lots of people came, even those who had seen "Mildred Pierce" several times, and everyone agreed it was just wonderful to watch the film on the big screen. All his books were sold, and he has ordered more for the next screening on Nov. 10 of "Sudden Fear."
Crawford became the potential subject of a biography during a conversation with Dance’s publisher soon after he delivered the manuscript of his previous book, “The Savvy Sphinx: How Garbo Conquered Hollywood.”
“Craig Gill of the University Press of Mississippi told me that he had his best successes with “lives.” Jokingly I responded, ‘You’re not going to make me write a book on Joan Crawford.’ ‘If you do,’ he said, ‘I’ll publish it.’”
Dance had read “Mommie Dearest,” written by Crawford’s daughter Christina, which was a bestseller in the late ‘70s and chronicles her mother’s meteoric rise as well as her abusive parenting.
“Christina’s remarkable story was the first in what has now become an industry of survivor stories told from the point of view of the victim. She suffered terribly at the hands of her mother, as did her younger brother. How to reconcile this story with Crawford’s brilliant career as possibly the greatest actress to come from the golden age of Hollywood became my quest,” Dance said.
Although Dance had written many books about classic Hollywood, he did not consider himself an authority on Crawford. To immerse himself in his subject, he watched her films, from her first silent films from 1925 through the 1970s. He also researched her life and career using primary resources to describe her upward trajectory in the world of cinema.
“It took four years for her to become a star. When she did, Crawford became the epitome of cool, elegant sophistication and chic, and was Hollywood’s first ‘influencer.’ When she wore a dress on screen, it was copied by the tens of thousands days after the film was released. She was the most imitated woman in America,” he said.
“When she arrived at MGM, the studio that would nurture her career, and where she would stay for 18 years (1925-1943), she was untrained, gauche, overweight, pretty, but hardly movie-star attractive. Through her amazing will and ferocious ambition, she transformed Lucille LeSueur (Crawford’s birth name) from Kansas City into the ‘queen of the movies.’ Not only was her assent improbable, but so too was her staying power. Perhaps most striking was her ability to reinvent herself with the passing of years. She reimagined her career at the age of 40 when she moved to Warner Bros. and became a brilliant dramatic actress,” he added.
The film series at The Norfolk Library began on Friday, Oct. 27, with Crawford’s first Warner Bros. film “Mildred Pierce.” Based on a novel by James M. Cain, the film tells the tragic story of a single mother with two children and her struggles to achieve financial and personal success. The movie contains sharp social observations and intense emotional violence.
“Crawford won the Academy Award for her performance and proved, even back in 1945, that life could ‘begin’ even for a woman who had just turned 40,” Dance said.
“Sudden Fear” (1952), which garnered another Academy Award nomination for Crawford — to be shown at the Norfolk Library on Nov. 10 —will be followed by “Whatever Happened to Baby Jane?” (1962) on Friday, Dec. 1. Both films come from the later part of Crawford’s career and show her continued relevance throughout the decades.
Throughout his research, Dance was surprised to learn that virtually every one of Crawford’s 80 films was a box-office success. Another revelation was that though she was known as being extraordinarily generous to her inner circle, Crawford privately maintained four rooms at Hollywood Hospital for folks who were unable to pay and covered doctor’s bills.
Crawford even had a connection to Litchfield County. “Crawford was a close friend of Lakeville resident Genie Chester [daughter of Colby Chester, head of General Foods]. They met when Crawford was married to Douglas Fairbanks Jr., her first husband, and remained lifelong friends. Chester was one of many friends with whom she maintained an active correspondence,” Dance said.
The legacy of Crawford still resonates today. Though many of Hollywood’s female stars like Garbo, Bette Davis and Katharine Hepburn have faded, Crawford remains a vital presence.
Dance said, “Crawford reads contemporary and unmannered, and the age-old story of the woman from the wrong side of the tracks who, through grit and determination, succeeds spectacularly, has staying power.”
Reservations for the next two screenings of Joan Crawford films followed by Dance’s book talk are recommended and can be made through the Norfolk Library website at www.norfolklibrary.org.
Participating students and teachers gathered for the traditional photo at the 2025 Troutbeck Symposium on Thursday, May 1.
Students and educators from throughout the region converged at Troutbeck in Amenia for a three-day conference to present historical research projects undertaken collaboratively by students with a common focus on original research into their chosen topics. Area independent schools and public schools participated in the conference that extended from Wednesday, April 30 to Friday, May 2.
The symposium continues the Troutbeck legacy as a decades-old gathering place for pioneers in social justice and reform. Today it is a destination luxury country inn, but Troutbeck remains conscious of its significant place in history.
A showing of student artworks within the theme of linking the past with the present opened the symposium on Wednesday evening. Each work of art had to draw on historical research to foster an informed dialogue between the artist and the contemporary audience.
The second day was devoted to student research presentations, showcasing teams from the region’s leading public and private schools with strong programs aimed at cultivating engaged young historians. Primary source materials and live interviews with descendants were included in the process.
Topics were divided into blocks with guest commentators providing reactive response as each block of student presentations concluded. Serving as commentators were Dr. Hasan Kwame Jeffries, Ohio State University, and Dr. Christine Proenza-Coles, University of Virginia.
Resistance in the face of oppression and stories of resilience that spanned generations formed an important theme as students presented the stories of area settlers and residents who suffered but endured.
As a sampling, The Taconic School teamed up with The Salisbury School to unearth untold stories of Boston Corners. The Hotchkiss School looked into the activities of the Ku Klux Klan in Connecticut. The Cornwall Consolidated School students stepped up with their untold stories of early Cornwall women.
Other presentations explored criminal justice — witchcraft trials — dealing with society’s “undesirable” elements, individuals in history who took action, people and movements that formed resistance, and various forms of discrimination.
Praising the work of the students, Dr. Jeffries identified a theme of resistance and survival.
“The war ended but the resistance did not,” Jeffries said. “We don’t take indigenous people seriously,” he added. “White supremacy happened in our own back yards.”
“We saw the evolution of research,” said a Cornwall Consolidated School representative. That project moved into civic engagement by the students that moved beyond the classroom.
“This is not the past; this is part of the present,” said Dr. Proenza-Coles.
A panel discussion among educators whose students had participated in the 2025 Troutbeck Symposium was held on Friday, May 2, to offer reflections on the symposium, its value and future development. Panelists from left to right were Jessica Jenkins, Litchfield Historical Society;Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School. Leila Hawken
The third day invited area history educators to assemble and share ideas for redesigning elements of history education, a day of reflection.
The panel included Jessica Jenkins, Litchfield Historical Society; Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School.
Valcin reflected on his work as a shared project within The Salisbury School, one where the inquiry would seek to find “the deeper story behind a base story.”
Duprey also spoke of process and the educational value of engaging with historical inquiry.
Each representing a profession that brings them into contact with historical inquiry, the panelists recounted tedious history classes of past decades. Jenkins described her own career as “public history.”Lamb-Canon’s experience began with choosing history electives in college. Bengal spoke of community engagement and the power of involvement with history.
“History is not the opposite of scientific inquiry,” said Bengal.
Significant discussion centered on the possibility of offering the Troutbeck Symposium model to a wider audience of school systems throughout the U.S.
“A community approach to education,” was a characterization offered by Troutbeck owner Charlie Champalimaud, commenting during a brief interview at the end of the symposium on Friday, May 2. She encouraged a push toward increasing even more the number of participating schools, their educational communities and symposium sponsors.
Terence S. Miller, owner of Roaring Oaks Florist in the new self-serve area of the shop.
Just in time for Mother’s Day, Roaring Oaks Florist in Lakeville has launched a new self-serve flower station next to its Main Street shop, offering high-quality, grab-and-go bouquets from 8 a.m. to 8 p.m., seven days a week — including Sundays when the main store is closed.
Owner Terence S. Miller, who bought the shop 24 years ago at just 20 years old, calls the new feature “a modern twist on an old-school honor system,” with some high-tech updates.
“We’re still using our same high-end flowers, just with less markup and no labor,” said Miller. “That way people can access our quality anytime, even if we’re closed.”
Tucked beside the shop’s main entrance at 349A Main Street next to The Boathouse, the self-serve area is partitioned and monitored by security cameras. A simple touchscreen checkout system lets customers pay with a credit card — no cash accepted — and includes photo prompts to make selection easy. Vases, ribbons, flower food, and care instructions are all stocked and labeled.
“We’ve tried to think of everything people might need,” said Miller. “It’s all about making great flowers more accessible without losing what makes Roaring Oaks special.”
Miller said the idea came from years of watching customers try to squeeze in a visit before or after hours. “We’re open 8 hours a day, but we’re here for almost 10, and it still isn’t enough. People are always showing up after we close,” he said. “This way we can be ‘open’ more hours without adding staff.”
Though he considered making the space available 24/7, Miller ultimately decided against it. “We didn’t want to encourage late-night tampering,” he said, noting the shop’s proximity to local bars and restaurants.
Miller’s journey into flowers was unexpected. As soon as he could get his farming papers at 12 years old, he started working at Silamar Farm in Millerton. Alongside its produce, Silamar’s was one of the first farm stands in the area to sell fresh cut flowers.Miller began growing and bundling cut flowers for city-bound customers. “By 16 I needed a year-round job, so I applied to every florist around. I just had a knack for it,” he said. After a stint in Rhinebeck, he returned and bought Roaring Oaks from its previous owner.
In the decades since, he’s built a reputation for quality and creativity. The shop’s flowers are sourced from around the world, particularly Canada and South America, though Miller is committed to supporting local growers wherever possible, especially for summer offerings and weddings.
“We’re hoping to feature some smaller farms in the self-serve section this summer,” said Miller. “DIY weddings have taken off, and people don’t always realize the benefits of buying local. Cold chain is everything. The flowers we source come straight from the airport to the wholesaler and right up here. That’s how we keep them fresh.”
Roaring Oaks also offers consultations and bulk flower discounts for events and weddings, a service Miller hopes more customers will discover through the new self-serve setup.
After 50 years in business, and nearly a decade at its current Lakeville location, Roaring Oaks continues to evolve. “This September marks my 25th year,” said Miller. “I’m always looking for ways to make people happy. Flowers should be simple, joyful, and accessible. That’s what this is all about.”
For more information or to plan your Mother’s Day bouquet, visit Roaring Oaks Florist at 349A Main Street, Lakeville.
A string quartet opened the Bard Conservatory of Music program for Region One third grade students at Music Mountain.
Region One third grade students attended a chamber music concert by Bard Conservatory of Music students at Music Mountain Tuesday, April 29.
After expending spare energy racing around the Music Mountain lawn, the children trooped into the concert hall and took their seats.
After a brief introduction from Bard’s Mira Wang, the first item on the program was a string quartet, playing a piece by Haydn.
The students also heard a solo rendition of medieval songs played on the alto trombone, an unusual instrument.
The annual third grade concert is a tradition that stretches back decades at Music Mountain. It’s a treat for the children, and for the music students, who get to experience the incredible acoustics of the Music Mountain concert hall.
Two flutists performed later in the show.Patrick L. Sullivan