Robert Dance presents Joan Crawford biography and film series at the Norfolk Library

Joan Crawford, left, with Genie Chester Photo submitted

Norfolk resident and author Robert Dance is presenting his new biography “Ferocious Ambition: Joan Crawford’s March to Stardom” and a film series featuring Crawford at the Norfolk Library.
Norfolk Library director Ann Havemeyer said: “The first film screening was great. Lots of people came, even those who had seen "Mildred Pierce" several times, and everyone agreed it was just wonderful to watch the film on the big screen. All his books were sold, and he has ordered more for the next screening on Nov. 10 of "Sudden Fear."
Crawford became the potential subject of a biography during a conversation with Dance’s publisher soon after he delivered the manuscript of his previous book, “The Savvy Sphinx: How Garbo Conquered Hollywood.”
“Craig Gill of the University Press of Mississippi told me that he had his best successes with “lives.” Jokingly I responded, ‘You’re not going to make me write a book on Joan Crawford.’ ‘If you do,’ he said, ‘I’ll publish it.’”
Dance had read “Mommie Dearest,” written by Crawford’s daughter Christina, which was a bestseller in the late ‘70s and chronicles her mother’s meteoric rise as well as her abusive parenting.
“Christina’s remarkable story was the first in what has now become an industry of survivor stories told from the point of view of the victim. She suffered terribly at the hands of her mother, as did her younger brother. How to reconcile this story with Crawford’s brilliant career as possibly the greatest actress to come from the golden age of Hollywood became my quest,” Dance said.
Although Dance had written many books about classic Hollywood, he did not consider himself an authority on Crawford. To immerse himself in his subject, he watched her films, from her first silent films from 1925 through the 1970s. He also researched her life and career using primary resources to describe her upward trajectory in the world of cinema.
“It took four years for her to become a star. When she did, Crawford became the epitome of cool, elegant sophistication and chic, and was Hollywood’s first ‘influencer.’ When she wore a dress on screen, it was copied by the tens of thousands days after the film was released. She was the most imitated woman in America,” he said.
“When she arrived at MGM, the studio that would nurture her career, and where she would stay for 18 years (1925-1943), she was untrained, gauche, overweight, pretty, but hardly movie-star attractive. Through her amazing will and ferocious ambition, she transformed Lucille LeSueur (Crawford’s birth name) from Kansas City into the ‘queen of the movies.’ Not only was her assent improbable, but so too was her staying power. Perhaps most striking was her ability to reinvent herself with the passing of years. She reimagined her career at the age of 40 when she moved to Warner Bros. and became a brilliant dramatic actress,” he added.
The film series at The Norfolk Library began on Friday, Oct. 27, with Crawford’s first Warner Bros. film “Mildred Pierce.” Based on a novel by James M. Cain, the film tells the tragic story of a single mother with two children and her struggles to achieve financial and personal success. The movie contains sharp social observations and intense emotional violence.
“Crawford won the Academy Award for her performance and proved, even back in 1945, that life could ‘begin’ even for a woman who had just turned 40,” Dance said.
“Sudden Fear” (1952), which garnered another Academy Award nomination for Crawford — to be shown at the Norfolk Library on Nov. 10 —will be followed by “Whatever Happened to Baby Jane?” (1962) on Friday, Dec. 1. Both films come from the later part of Crawford’s career and show her continued relevance throughout the decades.
Throughout his research, Dance was surprised to learn that virtually every one of Crawford’s 80 films was a box-office success. Another revelation was that though she was known as being extraordinarily generous to her inner circle, Crawford privately maintained four rooms at Hollywood Hospital for folks who were unable to pay and covered doctor’s bills.
Crawford even had a connection to Litchfield County. “Crawford was a close friend of Lakeville resident Genie Chester [daughter of Colby Chester, head of General Foods]. They met when Crawford was married to Douglas Fairbanks Jr., her first husband, and remained lifelong friends. Chester was one of many friends with whom she maintained an active correspondence,” Dance said.
The legacy of Crawford still resonates today. Though many of Hollywood’s female stars like Garbo, Bette Davis and Katharine Hepburn have faded, Crawford remains a vital presence.
Dance said, “Crawford reads contemporary and unmannered, and the age-old story of the woman from the wrong side of the tracks who, through grit and determination, succeeds spectacularly, has staying power.”
Reservations for the next two screenings of Joan Crawford films followed by Dance’s book talk are recommended and can be made through the Norfolk Library website at www.norfolklibrary.org.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org