Thank you!
Your support is sustaining the future of local news in our communities.

At North Canaan’s accordion museum, every instrument has a story

At North Canaan’s accordion museum, every instrument has a story

Paul Ramunni playing polka music.

Madi Long

For visitors stepping into the New England Accordion Connection & Museum inside North Canaan’s historic railroad station, the first thing they notice is the sheer number of accordions.

Rows upon rows of instruments line the walls. Some are polished, while others show the wear of decades spent traveling across continents and sitting in family attics.

“There are about 500 accordions in this room,” museum founder Paul Ramunni said during a recent tour. “We have another 200 in the basement, so we’re cracking 700.”

But Ramunni insists the collection is not really about accordions.

“It’s the stories,” he said. “The instruments are just the carriers.”

For more than a decade, Ramunni and his wife, Marsha, have been collecting not only instruments but also the family histories attached to them. The result is what may be one of the most unusual museums in New England — a place where music, immigration, war and local history come together.

A Childhood Instrument Rediscovered

Ramunni’s own relationship with the accordion began on Long Island in the 1950s. His mother, who was of Italian ancestry, insisted he learn to play.

“I said, ‘Anything but that,’” he recalled. “The kids are going to make fun of me.”

He played for about three years before eventually putting the instrument away when he went to college.

More than four decades later, while spending time with Marsha in rural Vermont, something unexpected happened.

“I woke up with the urge to play the accordion again,” he said.

Soon after, he found a collector who was preparing to send several accordions to a Holocaust museum. The instruments had reportedly come from Dachau, a WWII concentration camp, where the victims were forced to give them up or perform for the guards.

The story stunned him.

“You mean to tell me every one of these accordions has a back story?” he remembered asking.

From that moment, Ramunni began seeking out instruments to collect and asking their owners about the back stories.

Paul and Marsha Ramunni have turned a collection of accordions — and the memories attached to them — into one of the Northwest Corner’s most unusual attractions.Madi Long

More Than A Collection

One of the first stories involved an elderly woman in Torrington whose late husband’s accordion sat unplayed for years.

When Ramunni picked up the instrument and began playing it, the woman broke down in tears.

“That was my husband’s voice,” she told him, referring to the sound of her late husband’s favorite instrument.

The couple had fled Europe during WWII with little more than a suitcase and the accordion.

“It was the family album,” Ramunni said.

Many of the instruments tell stories of immigration and war.

One accordion currently in Ramunni’s museum belonged to a World War II veteran who operated a landing craft during the Normandy invasion and often played it for his fellow marines.

The museum displays a photograph the veteran took of the soldiers aboard the vessel before they landed on the beach. Family members said many of the young men pictured never returned home.

More recently, a Ukrainian immigrant donated an accordion after losing family members during the current war with Russia.

“He said, ‘I can’t play it anymore,’” Ramunni recalled, noting that it had too many memories that he wanted to forget.

A Labor Of Love

The museum’s location is closely tied to Ramunni’s own history. In the early 1980s, he and a business partner purchased the North Canaan railroad station, where he operated a CPA firm.

He sold the building after a 2001 fire devastated the station. Two decades later, when space became available in the restored building, he returned to house the collection that had outgrown his North Canaan home. Since opening the museum in 2021, he said, it has welcomed more than 9,000 visitors.

Visitors come from throughout New England and beyond, many bringing their own stories along with old accordions. Some arrive hoping to repair an instrument.

The museum functions as more than just an exhibition space; Ramunni repairs accordions. The couple also buys and sells instruments. They host events, tours for school groups, senior centers, day-care programs and historical societies.

Sometimes they take the collection on the road.

“Everything fits in a Subaru,” Marsha said.

She sees the museum as both an educational resource and a community gathering place.

“We’re trying to make an impact here on the town and the area,” she said. “Bringing people in, educating them, giving them a place to learn about history.”

The collection continues to grow through donations.

On a recent afternoon, Salisbury resident Gary Peterson arrived carrying an accordion that had belonged to his grandmother, a Swedish immigrant who played polka music. Now retired and downsizing, Peterson said his family wanted to find someone who could appreciate the instrument rather than simply discard it.

Looking around at the hundreds of accordions on display, Peterson said he was struck by the variety and craftsmanship of the collection. “There are so many different types of accordions,” he said. “It’s awesome.”

Latest News

After 20 years at WAMC, Sarah LaDuke is following the music
Photo providedSarah LaDuke
Photo providedSarah LaDuke

You might recognize Sarah LaDuke’s voice without ever knowing what she looks like. For years, it’s a voice that has arrived through kitchen and car speakers, introducing authors, moderating conversations and helping listeners make sense of the day’s events. Her voice has become a familiar companion throughout the region. Now, after nearly two decades at WAMC, LaDuke has stepped away from public radio news and into a role that brings her closer to what she says has always animated her most: music.

“I’ve been at WAMC for almost 20 years, and I love it,” LaDuke said. “But I felt like I was ready for something. I didn’t know what.”

Keep ReadingShow less
Tangled Lines vs. big bugs, hot weather and the Hound of the Baskervilles

A cold mountain brook that enters one of the New York City reservoirs.

Patrick L. Sullivan

PHOENICIA, New York My annual week off in the Catskills in early June got off to a satisfactory start. The first week or so of June usually means a lot of different bugs hatching, which in turn means the angler can sling three or four patterns with a fair bit of confidence.

This time around the isonychia were dominant. This is a big reddish-brown mayfly, sometimes known as a Slate Drake and most frequently imitated on the Esopus Creek with a traditional winged wet fly, the Leadwing Coachman.

Keep ReadingShow less
Rooted in reciprocity: Adamah Farm grows food, community and connection
Natalia Zukerman

"This is phacelia,” Janna Siller said, as if introducing an old friend.

Pausing beside a patch of violet blossoms humming with the work of tiny insects, Siller, farm director at Adamah Farm in Falls Village, explained that it attracts some of the most beneficial insects on the farm because “they’re predators of the pests we don’t want.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

BalletCollective returns to Millbrook for 12th summer residency

Members of BalletCollective.

Parker Whitehead-Bus
The community here has become an essential part of our creative process.
— Troy Schumacher, Founder of BalletCollective

For the 12th consecutive summer, the acclaimed New York City-based dance company BalletCollective will return to Millbrook, continuing a residency that has become a vital part of the organization’s creative process and an increasingly significant cultural event for the Hudson Valley.

Founded by Troy Schumacher in 2011, BalletCollective was created as an interdisciplinary laboratory where choreographers collaborate with composers, writers and visual artists from the earliest stages of a work’s development. Rather than simply commissioning a score or set design, the company builds each ballet through a creative exchange among artists working across disciplines. The company has produced 26 world premieres and has performed at venues including Lincoln Center, the Metropolitan Museum of Art and the Joyce Theater.

Keep ReadingShow less
A family legacy: Roxana Robinson tells Harriet Beecher Stowe’s story for America’s 250th
Harriet Beecher Stowe, author of “Uncle Tom’s Cabin” and great-great-great aunt to author Roxana Robinson.
Courtesy of the Library of Congress

The award-winning novelist, biographer and scholar Roxana Robinson, who has longstanding ties to Litchfield County through her family’s centuries-old roots in Cornwall, was recently invited to tell the story of her great-great-great-aunt, Harriet Beecher Stowe, the abolitionist author born in Litchfield in 1811.

The invitation came from historian Heather Cox Richardson, whose national storytelling initiative, “250 to 250,” is marking the nation’s semiquincentennial with a series of short videos highlighting 250 people, places and moments that helped shape American history.

Keep ReadingShow less

2026 Summer Nights of Canaan

2026 Summer Nights of Canaan

Wednesday, July 15

Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park

Old Time Bingo
6 to 10 p.m.
Bunny McGuire Park Pavilion

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.